I re-contextualize and paint the folded points of the physical or abstract space and time. While constructing and deconstructing forms, textures, layer and non-linearly crossing among them, it is possible to find observed/represented forms acquire illusions, and the illusion acquires substantiality. This is the moment encountering a wandering emotion/sensitivity without becoming a language, and it is also a singular point in which a two-dimensional painting turns into a psychological position. The process of translating the mumbled words and imaginations always accompanies dissonance, but sometimes the imperfect situations open up the times to encounter with a volatilized sense of skin or celestial loneliness in the distance. It is linked with my initial desire for the work to dismantle the boundary between the physical environment and the conceptual area.